In 1949 a 23-year old composer named Daphne Oram wrote a pioneering new work for two orchestras, live electronics and turntables that was subsequently lost for decades. Only vague references survived until composer and archivist James Bulley rediscovered the complete score in 2015. He enlisted composer and turntable artist Shiva Feshareki to help him realize … Continue reading #309 Daphne Oram’s Still Point
